Saturday, October 30, 2010

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. med: 130x80x3 cm.


Relief inspired by a work of (Thorvaldsen), the triumphal entry of the great Babylon, 1822.
Bertel Thorvaldsen, Copenhagen 1770-1884, was an outstanding representative of the neoclassical period sculpture. It is often been compared to Antonio Canova, but in fact embodies the style of classical Greek art on that of the Italian artist. Much
Thorvaldsen's work is infused with classical sensitivity, with allegorical reliefs and sculptures from classical theme (reliefs, statues and busts) are taken mainly from Greek mythology, but also portrayed personalities, historical figures and memorials.
His works can be seen in many European countries, especially in the Thorvaldsen Museum.

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Twilight delighted. med: 40x75x3 cm.






































Relief
inspired by art nouveau glass. Modernism is the term that designates a stream of artistic innovation developed in the late nineteenth and early twentieth centuries. The name in France and Belgium was Art Nouveau. It is distinguished by its creativity, the taste for the refined the desire to escape from everyday reality and to experience other cultures and customs. It's about creating a new aesthetic, which is dominated inspiration in nature, as we see in this relief where the young artist is in harmony with the ideals of Beauty and Love suggested the eagle on top.

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San Jorge. med: 69x69x3 cm. Athlete


























Relief inspired neoclassical image.
The dragon is a fabulous animal, universal symbolic figure, which found in most of the people of the world, in Eastern cultures as primitive and classical.
In this medallion, the dragon represents "the animal", the primary enemy to be fought with the "great battle", the "big test" of human beings to attain spirituality, in which we see represented Horus, Perseus , San Jorge, San Miguel Archangel ...

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winner. med: 65x62x4 cm.

























Fragment of a Greek amphora.
Ancient Greek did not understand the competition as now, stood looking at the heroes of the archaic and aspired to imitate. In fact, stand out among others committed to community action, Aristotle defined it as "communal being" (zoon politikon), the Greek word "agon" applied to the Homeric heroes, it means being the best (aristeuein), not the first (proteuein).
In the image, the athlete wears a ring (balance) and a rooster (victory).

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Oedipus and the Sphinx. med: 56x56x3 cm. Child


























In Ancient Greece, ceramics, was probably introduced from Asia in the late third millennium BC Several forms have followed its evolution up to the red-figure style, that we find this interpretation in relief Kylix V century BC Attic
According to Greek mythology, the sphinx had the power to monitor the Sanctuary of Apollo, and visitors are proposing a riddle: "What is the living being who walks four legs at dawn, two at noon and three at dusk? "
This image shows a well-known allegory of mythological origin that synthesizes the struggle between the desire to know the man and the unknown.

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Zeus .. med: 51x51x3 cm. Glyph


























In classical antiquity, the Roman civilization was preceded by the expansion of its capital, ROMA-AMOR.
Like most religions, the Romans were polytheistic deities were baptized by other names, like the Greek gods, and integrated into the variety of cults. In this relief
architectural
the time of Augustus (31-14 BC) The Curetes, with the sound of their shields, trying to hide the cries of the newborn Zeus, which is in the arms of the nymph Amalthea.

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Crete. med: 110x70x3 cm.


GLYPH. Relief mural inspired by the Throne Room of the Palace of Knossos. Crete, Minoan II period, around 1400 BC

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"Flying on your side" med: 50x70x3 cm.


Detail of the frescoes of Akrotiri on Thera, II millennium BC, National Archaeological Museum of Athens.

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Lady and the Unicorn. med: 78x95x3 cm.





































Relief inspired detail of a medieval tapestry of the fifteenth century.
The tapestry (French, tapis) is a work of handmade traditional tissue in which there are figures similar to those of a picture using colored threads.
In this picture (of the most famous, Musée de Cluny) highlights the unicorn, mythical creature usually represented as a white horse, with antelope legs, goatee, and a horn on his forehead.
their symbolic of purity are

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medieval lady. med: 38x148x3 cm.



       
































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medieval knight. med: 38x148x3 cm.






































Crek
Sir John and His wife Alyne c.
1325 Westley Waterless, Cambridgeshire, England.
Gothic art is a style that developed in Western Europe during the last centuries of the Middle Ages (coincides with the fullness and the crisis) to the implementation of the Renaissance.
Stresses on these reliefs, forms long, narrow, vertical, mystical, with an attitude of prayer and symbols of power and nobility.

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two-headed snake. med: 97x52x5 cm. Eagle


Relief interpreted a serpent Aztec wooden chest, turquoise, shell and jade.
The symbolism Mexica (Aztecs) was the synthesis of the beliefs and traditions of ancient Mesoamerican peoples, of a complexity that the very existence implied the creation of the universe and the human situation with respect to the divine.
Coatl, is the name of a serpent, reflects the material and earthly elements. In this picture, there is also an aspect of duality representing the material and spiritual principles are online.

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Visigoths. med: 31x51x3 cm.







































aquiliforme Recreation of a fibula, sixth century.
The Visigoths were the western branch of the Gothic peoples. After the fall of Western Roman Empire, the Visigoths played a major role in Europe during the 250 years that followed.
aquiliforme fibulae (stylized eagle) is a gold lapel pin, used to attach the clothing, the work of the Visigothic goldsmiths (Visigoth town settlement in the Iberian Peninsula, between the late V to VIII) .

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Agni. med: 65x96x3 cm.







































Relief inspired by a painting Hindu Agni.
As part of Hinduism, Agni (the Sanskrit word Agni: "Fire") is the Vedic god of the "creative fire." Along with Indra and Surya up the Vedic trinity later replaced by the Puranic trinity of Brahma, Vishnu and Siva.
A Agni is represented as having two faces (suggesting beneficial and destructive), eyes and black hair, three legs and seven arms. Its symbolic vehicle is a goat.

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Estela Ramos. med: 87x108x3 cm.





















Detail of the great scene in relief of the tomb of Ramose (born of Ra), XVIII Dynasty (c. 1370 BC). We see this trail to Ramos and his wife, accompanying her tenderly caught by the shoulder, they carry lotus flowers, which are linked to immortality and their faces light up with a sweet smile and distant. They thin and transparent robes of linen, and their hairstyles were very important. In the original limestone stela, was only set the color of the eyes and hair.

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Sekhmet. med: 47x58x12 cm.
























Relief Sekhmet inspired representation of the treasures of Tutankhamen.
Sekhmet the lion-headed goddess, executor of Inexorable Fate (related to the Nemesis of the Greeks and the Romans Fatum). It was called "The Mighty, The Lady", represents the will and strength of soul. It symbolizes the fate, understood as applying the law of cause and effect, ie, running on the Earth the divine.

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Creation of heaven and earth. med: 87x60x4 cm. Weight


Relief inspired Greenfield Papyrus, XXI Dynasty, Egypt.
The goddess Nut, it is usually depicted as a naked woman with body arched like a night sky, covered with stars. Sometimes as a cow (Mehet-Urt) or her husband Geb (Earth) and his father Shu (air and light) trying to separate (graphic representation of the myth). His limbs symbolize the four pillars on which rests heaven.

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heart. med: 155x62x3 cm.


Relief
main scene inspired by the book of the Hidden Stone, Papyrus of Ani, Egypt.
The heart weight is a symbolic representation, the heart represents life the deceased lived, for the ancient Egyptians the heart was the place of thought, emotion and life. If someone was very attached to material things and many defects, the heart will be heavy, devoured by the monster representing the material nature, where everything dies and is born. If, however, his life was clean and pure, the heart will be lighter and be able to go to Amenti, the Tiera of Amun.

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Amun-Ra. med: 99x21x3 cm. Mosaic


Egyptian Symbol (Sol Winged) "Lord of the Gates."
Its Egyptian name is Amen or Imen, Greek, Ammon .
In the texts of the Pyramids was considered a deity of the air (which is everywhere and at all times "the occult"), but was later associated with Ra, god of Heliopolis, Solar deity, under the name of Amon-Ra. He was also named "Father of all winds", "Soul of the Wind", "God only becomes millions", "He who dwells in all things," "Lord of the thrones of the Two Lands" .. .

Friday, October 29, 2010

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sphinx. med: 85x53x3 cm. Tile


Detail of Islamic mosaic on the facade of a mosque in Iran.
The original facade with an arch on either side a sphinx as a gatekeepers. The Sphinx
can see that the animal body is revealed (the tail of a serpent-headed dragon), not to be subjected, dominated by the human head is the intelligence (the bow and arrow) controlling the area. Surrounded by floral interlace contrast to the "great struggle" of man between spirit and matter.

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star. med: 111x58x3 cm.


Interpretation relief tile eight four corners of Kabadabad Palace, next to Konya, Turkey. Pre-Islamic cultures.
Early Islamic objects are very difficult to distinguish from earlier times objects Sassanid and Byzantine, Umayyad or longer. Islamic artists used techniques and motifs similar to its neighboring towns. It is often thought that Islamic art is totally aniconic (representations through symbols), however, you can see numerous figures and animals in ceramics.

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Embrace. med: 113x82x3 cm.


Embossed Detail Islamic painting, seventeenth century.
The Islamic book art includes painting, bookbinding, calligraphy and illumination. That is, arabesques and drawings in the margins and titles. Religious images of the Prophet Muhammad, Jesus and the Old Testament as well as magnets, also gave rise to representations, as times and places, their faces veiled or not.
The issue of figurative representation in Islam is still very complex.

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Concert in the garden. med: 65x96x3 cm.







































Embossed Detail Islamic painting, seventeenth century.
The art of Islamic book includes painting, bookbinding, calligraphy and illumination. That is, arabesques and drawings in the margins and titles. However, all Islamic art is not religious, and the artists also used other sources, including literature. Arabic literature is not only with representations, the fables of Indian origin (Kalila and Dimna) or (Magamat) were often illustrated in workshops in Baghdad and Syria. The issue of figurative representation in Islam is still very complex.